Фото­реалистичный
персонаж

Image 1 is the identity reference: a 3×3 casting grid. Use only PERSON 08 — the man in the bottom row, center column. Ignore all other eight people completely and do not blend or borrow any of their facial traits.

Create one single high-resolution photorealistic studio portrait of exactly this same invented person 08. Head and shoulders, straight-on front view at eye level, looking directly into the camera, centered composition, neutral relaxed expression, simple black crew-neck shirt. Soft even neutral studio lighting and the same smooth neutral grey background as the reference.

IDENTITY LOCK — preserve person 08 exactly: same apparent age, head and skull shape, facial proportions, eye color, eye shape and spacing, eyebrows, nose bridge and tip, lips, ears, jawline, chin, hairline, very short haircut, light stubble, skin tone, and natural facial asymmetries. Keep the recognizable identity unchanged. Do not beautify, idealize, age up or age down, change hairstyle, alter facial structure, or make him resemble any real or famous person.

REALISM — make the skin more naturally photographic while preserving identity: visible pores, fine lines, subtle uneven tone, faint redness and small believable imperfections, realistic under-eye texture, individual stubble hairs, natural lip texture. No retouching, no skin smoothing, no airbrushing, no waxy or plastic skin, no glamour finish, no exaggerated sharpness. Restrained editorial color, realistic 85mm portrait-lens feel, sharp eyes and natural depth of field.

OUTPUT CONSTRAINTS — exactly one person and one portrait only. No grid, no split screen, no contact sheet, no additional faces, no text, numbers, logos, props, jewelry, hats, or hands in frame.

Image 1 is the sole identity reference. Create a wide landscape photorealistic character turnaround sheet of exactly this same invented man. Preserve his recognizable identity precisely in every visible face: same apparent age, head shape, facial proportions, light eye color, eye shape and spacing, eyebrows, nose, lips, ears, jawline, chin, hairline, very short haircut, light stubble, skin tone, natural asymmetries, and realistic skin texture. Do not beautify, stylize, age, or redesign him.

LAYOUT — show exactly four separate full-body views of the same man, evenly spaced in one straight horizontal row, ordered left to right:
1. exact front view;
2. clear three-quarter view turned about 45 degrees;
3. exact right-side profile at 90 degrees;
4. exact back view at 180 degrees.
All four figures must be fully visible from the top of the head to the soles of the shoes, with comfortable empty margin above and below. Same height, same body proportions, same scale, same camera distance, same eye level, and feet aligned on one common floor line. No overlap between figures.

POSE — neutral anatomical standing pose in every view, weight balanced evenly, feet about hip-width apart, arms relaxed naturally at the sides with a small visible gap from the torso, hands relaxed and fully visible where the angle allows. Neutral expression in all views where the face is visible. No fashion pose, walking pose, contrapposto, or gesture.

BODY AND OUTFIT LOCK — use one consistent, believable medium athletic build implied by the reference shoulders and neck; realistic human proportions, not muscular or bodybuilder-like. Exactly the same simple outfit in all four views: plain matte black crew-neck short-sleeve T-shirt with no logo, straight-cut dark charcoal trousers, and plain black low-top sneakers. Keep garment cut, sleeve length, hems, folds, footwear, and colors identical across all four views. No accessories, jewelry, belt details, pockets emphasized, hats, or props.

STUDIO — seamless neutral medium-grey background, subtle neutral floor contact shadow under each pair of shoes, soft even studio lighting with no dramatic direction, neutral white balance, restrained editorial color. Full-body reference photography with a natural 70mm lens feel; minimal perspective distortion and no wide-angle look.

OUTPUT CONSTRAINTS — this is one clean professional turnaround/model sheet, not four unrelated photos. Exactly four figures and no additional people, faces, limbs, inset portraits, close-ups, borders, panels, labels, arrows, text, numbers, logos, or watermark. No cropped heads, feet, shoes, or hands. No duplicated pose. The back view must genuinely face away from camera.

Create a second full-body character turnaround sheet for the exact same original fictional person shown in the reference images.

REFERENCE PRIORITY
- Image 1 is the composition, outfit, pose, lighting, and turnaround-layout reference.
- Image 2 is the authoritative identity reference. Preserve exactly the same face, facial structure, features, skin tone, apparent age, hairstyle, hairline, and identity. Do not beautify, stylize, retouch, or change the face.

BODY VARIATION — CHANGE ONLY THE PHYSIQUE AND PROPORTIONS
- Apparent height approximately 190 cm.
- Lean high-fashion menswear runway-model physique, inspired by the proportions associated with a Saint Laurent runway casting, without depicting or copying any real person.
- Elegant elongated silhouette, approximately 8 to 8.25 heads tall.
- Long legs and slightly long arms, natural anatomy.
- Shoulders visibly broader through clavicle and deltoid width.
- Waist slightly narrower, creating a refined subtle V-taper.
- Low body fat with clear but restrained muscle definition in shoulders, upper arms, chest, and torso.
- Small muscle volume: athletic and conditioned, but slim and slightly gaunt rather than bulky.
- No bodybuilder mass, no oversized chest, arms, traps, or lats; no superhero proportions.
- Feet and shoes proportionally consistent with a real foot length of approximately 280–285 mm for a 190 cm body. Keep feet anatomically realistic and not exaggerated.

TURNAROUND LAYOUT
Exactly four full-body views of this same person in one horizontal row, evenly spaced:
1. straight front view,
2. three-quarter view turned to the viewer's left,
3. exact right-side profile,
4. straight back view.

All four figures must show the same body proportions, face, hair, outfit, scale, camera height, and floor line. Standing upright in a neutral anatomical pose, arms relaxed naturally with a small visible gap from the torso, hands relaxed, feet fully visible. Head-to-shoes framing with generous margins. No cropped body parts, no overlap, no extra figures.

OUTFIT
Keep the same understated outfit design in every view: fitted but not skin-tight matte black crew-neck short-sleeve T-shirt that clearly reveals the shoulder-to-waist silhouette; dark charcoal slim straight trousers with a clean drape; plain black low-top sneakers. No accessories, logos, jewelry, or styling changes.

IMAGE STYLE
Photorealistic high-resolution studio casting/reference photography. Neutral medium-grey seamless background, soft even diffused studio lighting, neutral color, realistic skin texture, visible pores and subtle natural imperfections, natural fabric texture. Orthographic-like consistency, approximately 70–85 mm lens feel, minimal perspective distortion. Neutral expression where the face is visible.

Do not include text, labels, numbers, measurements, borders, collage frames, props, shadows that obscure anatomy, or graphic design elements. The result must read as a precise professional character turnaround and as a deliberate leaner body alternative to Image 1.

Create one high-resolution photorealistic facial expression reference sheet of the exact same original fictional man shown in the two reference images.

REFERENCE PRIORITY
- Image 1 is the authoritative identity, face, skin-detail, portrait-framing, and lighting reference.
- Image 2 is a secondary continuity reference only for the same hairstyle, neck-and-shoulder proportions, lean runway-model build, and plain black crew-neck T-shirt.
- Preserve exactly the same recognizable person in all six frames: same apparent age, skull and head shape, facial proportions, light eye color, eye shape and spacing, eyebrows, nose bridge and tip, lips, ears, jawline, chin, hairline, very short haircut, light stubble pattern, skin tone, natural asymmetries, and realistic skin texture.
- Change only the facial expression. Do not redesign, beautify, idealize, age, retouch, or make the face more symmetrical.

LAYOUT
One clean 2×3 contact sheet: two horizontal rows and three equal portrait cells per row, exactly six portraits total.
Order from left to right:
Top row:
1. NEUTRAL — fully relaxed face, lips closed, direct gaze.
2. SMILING — warm natural controlled smile, cheeks slightly lifted, a small amount of teeth visible, eyes softly engaged.
3. LAUGHING — genuine spontaneous laugh, mouth naturally open with realistic teeth visible, cheeks raised and subtle eye crinkles; joyful but not exaggerated.
Bottom row:
4. THOUGHTFUL — lips gently closed, very slight brow tension, eyes looking just slightly upward and to the side; contemplative, no hand gesture.
5. SURPRISED — eyebrows raised, eyes naturally widened, lips gently parted; restrained believable surprise, not fear and not cartoonish.
6. FOCUSED — direct intense gaze, eyebrows subtly drawn together, lips closed and relaxed; concentrated, not angry.

CONSISTENCY
All six portraits must be unmistakably the same person photographed in one continuous studio session. Identical camera position, eye-level straight-on front view, head angle, crop, subject scale, shoulder position, hairstyle, stubble length, black crew-neck T-shirt, background, exposure, white balance, and light direction in every cell. Head and shoulders, cropped consistently from just above the hair to mid-chest. Face centered in each cell. Approximately 85 mm portrait-lens perspective. No head tilt, no profile or three-quarter views, no pose changes.

REALISM
Soft even neutral studio light and the same smooth medium-grey background in every cell. Natural photographic skin with visible pores, fine lines, mild uneven tone, subtle under-eye texture, individual stubble hairs, and expression-specific folds that follow real facial anatomy. Teeth must look natural and consistent, not overly white or perfectly uniform. Restrained editorial color, realistic sharpness, no glamour finish.

OUTPUT CONSTRAINTS
Exactly six head-and-shoulders portraits in a precise 2×3 grid. Equal cell sizes, even gutters, aligned eyes, consistent margins. No text, labels, numbers, borders, panel frames, props, hands, gestures, accessories, logos, watermark, extra faces, duplicated expressions, cropped chin, cropped shoulders, or dramatic shadows. Do not let stronger expressions alter the person's identity, age, facial bone structure, nose, jaw, ears, or hairline.

Create a second high-resolution photorealistic facial expression reference sheet of the exact same original fictional man shown in the reference images. This is an additional INTENSE / RARE EMOTIONS set, not a replacement for the existing basic expression sheet.

REFERENCE PRIORITY
- Image 1 is the authoritative identity reference. Preserve exactly the same person: apparent age, skull and head shape, facial proportions, light eye color, eye shape and spacing, eyebrows, nose bridge and tip, lips, ears, jawline, chin, hairline, very short haircut, light stubble pattern, skin tone, natural asymmetries, and realistic skin texture.
- Image 2 is the authoritative layout and continuity reference. Match its precise 2×3 contact-sheet structure, camera position, eye-level front view, crop, subject scale, shoulder position, black crew-neck T-shirt, neutral grey background, soft studio light, exposure, color, and photographic realism.
- Change only the facial expression. Strong emotion may deform soft facial tissue naturally, but must never change identity, age, facial bone structure, nose, jaw, ears, hairline, or stubble.

LAYOUT
One clean 2×3 contact sheet: two horizontal rows and three equal portrait cells per row, exactly six portraits total.
Order from left to right:

Top row:
1. CONTROLLED RAGE — intense direct stare, eyebrows strongly lowered and drawn together, nostrils subtly flared, jaw firmly clenched, lips pressed tight; powerful contained anger, not shouting.
2. DISGUST — nose bridge wrinkled, nostrils raised, upper lip lifted, eyes narrowed, cheeks tense; unmistakable physical revulsion, mouth mostly closed.
3. CONTEMPT — one corner of the mouth raised in a clear unilateral sneer, one cheek slightly lifted, eyelids narrowed, cool dismissive gaze; visibly asymmetric and distinct from disgust.

Bottom row:
4. GRIEF — genuine acute sorrow, inner eyebrows raised, eyes wet with one or two natural tears, lower eyelids tense, mouth corners pulled down, lips trembling slightly; on the verge of crying, emotionally raw but believable.
5. PANIC — intense fear, upper eyelids raised and lower lids tense, inner eyebrows lifted and drawn together, lips stretched and slightly parted, shallow-breath tension; clearly different from simple surprise, no screaming.
6. EUPHORIC RELIEF — overwhelming release after stress, eyes softly closed, broad trembling smile, cheeks raised, brow and jaw finally relaxed, slightly wet eyes; emotional relief rather than laughter.

CONSISTENCY
All six portraits must be unmistakably the same person photographed during the same continuous studio session. Identical straight-on head angle, crop from just above the hair to mid-chest, centered face, aligned eyes, approximately 85 mm portrait-lens perspective, hairstyle, stubble length, clothing, background, exposure, white balance, and light direction. No head tilt, profile, three-quarter view, pose change, or camera change. No hands or body gestures.

REALISM
Treat the expressions as an actor's natural high-intensity performance captured in neutral casting photography, not as theatrical masks. Preserve visible pores, fine lines, mild uneven skin tone, under-eye texture, individual stubble hairs, and anatomically correct expression folds. Tears, moisture, facial redness, and muscle tension should appear only where appropriate to the specific emotion. Natural teeth where visible. No beauty retouching, skin smoothing, glamour finish, or cinematic color grade.

OUTPUT CONSTRAINTS
Exactly six head-and-shoulders portraits in a precise 2×3 grid. Equal cell sizes, even gutters, consistent margins. No text, labels, numbers, borders, panel frames, props, hands, accessories, logos, watermark, extra faces, duplicated expressions, cropped chins, cropped shoulders, shouting, screaming, cartoon exaggeration, horror styling, violence, injuries, bruises, blood, or dramatic lighting.

Create a third high-resolution photorealistic facial reference sheet of the exact same original fictional man shown in the reference images. This is a PHYSICAL STATES set showing six temporary conditions, not a replacement for either existing expression sheet.

REFERENCE PRIORITY
- Image 1 is the authoritative identity reference. Preserve exactly the same person: apparent age, skull and head shape, facial proportions, light eye color, eye shape and spacing, eyebrows, nose bridge and tip, lips, ears, jawline, chin, hairline, very short haircut, light stubble pattern, baseline skin tone, and natural asymmetries.
- Image 2 is the authoritative layout and studio-continuity reference. Match its exact 2×3 contact-sheet structure, camera position, eye-level front view, crop, subject scale, shoulder position, plain black crew-neck T-shirt, neutral grey background, soft studio light, exposure, and photographic realism.
- Change only the temporary visible facial condition described for each cell. Do not redesign, beautify, age, or alter the person's underlying facial bone structure or identity.

LAYOUT
One clean 2×3 contact sheet: two horizontal rows and three equal portrait cells per row, exactly six portraits total.
Order from left to right:

Top row:
1. ALCOHOL-INTOXICATED — clearly drunk but conscious: heavy half-lidded glassy eyes with slightly unfocused gaze, warm flush across cheeks, nose and ears, facial muscles slightly slack, loose uneven half-smile, subtly delayed expression; believable and understated, not comedic, not unconscious, no alcohol or props.
2. EXTREME EXHAUSTION — severely tired after prolonged wakefulness: pronounced natural dark circles, heavy drooping eyelids, pale dull skin, slightly sunken eyes, dry lips, relaxed jaw, depleted blank gaze; head still upright, distinct from illness or drunkenness.
3. INFLUENZA WITH FEVER — visibly ill with flu: feverish red cheeks contrasting with pallor around the mouth, watery mildly bloodshot eyes, irritated red nose, damp temples, slight perspiration, dry lips gently parted, weak uncomfortable expression; no mucus, rash, medical equipment, or exaggerated sickness.

Bottom row:
4. AFTER INTENSE MUAY THAI TRAINING — immediately after a demanding training session, not after an injury: face strongly flushed from exertion, realistic beads and streaks of sweat, damp hair at the hairline, slightly bloodshot focused eyes, heavy-breathing lips gently parted, temporary pressure redness around cheekbones and brow; tired but alert. No cuts, blood, swelling, black eye, broken nose, or visible injury.
5. AFTER CRYING — trying to regain composure after intense crying: puffy red-rimmed eyelids, wet eyes, one or two residual tear tracks, reddened nose, subtle blotchy redness on cheeks, lips pressed together with a small tremble; emotionally spent but no active sobbing.
6. AFTER PROLONGED COLD — visibly chilled after being outside in freezing weather: pale cool skin, strongly reddened nose and ears, slightly chapped desaturated lips, watery eyes, tense jaw, faint goosebumps on the exposed neck; no snow, hat, frost, frostbite, or environmental background.

CONSISTENCY
All six portraits must be unmistakably the same person photographed in one controlled studio session. Identical straight-on head angle, crop from just above the hair to mid-chest, centered face, aligned eyes, approximately 85 mm portrait-lens perspective, haircut, stubble length, clothing, grey background, camera, and base light direction. The physical condition may naturally affect skin color, moisture, eyelids, lips, and hair dampness only where specified. No head tilt, profile, three-quarter view, body pose change, hands, or gestures.

REALISM
Natural documentary casting photography. Preserve visible pores, fine lines, individual stubble hairs, under-eye texture, natural asymmetry, and anatomically plausible transient signs. Sweat, tears, redness, pallor, dryness, and moisture must be specific to the assigned condition and must not leak into the other cells. No beauty retouching, skin smoothing, glamour finish, stylization, cinematic color grade, or image blur.

OUTPUT CONSTRAINTS
Exactly six head-and-shoulders portraits in a precise 2×3 grid. Equal cell sizes, even gutters, consistent margins. No text, labels, numbers, borders, panel frames, props, drinks, sports equipment, medical equipment, hands, accessories, logos, watermark, extra faces, duplicated conditions, cropped chins, cropped shoulders, gore, blood, open wounds, bruising, severe injury, body-horror, comedy styling, or dramatic lighting.

Create one vertical high-resolution photorealistic editorial studio portrait of the exact same original fictional man shown in the two reference images.

REFERENCE PRIORITY
- Image 1 is the authoritative identity reference. Preserve exactly the same recognizable face: apparent age, skull and head shape, facial proportions, light eye color beneath the closed lids, eyebrows, nose bridge and tip, lips, ears, jawline, chin, hairline, very short haircut, light stubble pattern, skin tone, and natural asymmetries.
- Image 2 is the authoritative body-continuity reference for his tall lean runway-model physique, broader shoulders, narrow waist, neck proportions, and overall silhouette.
- Do not beautify, redesign, age, retouch, or turn him into a different fashion model. Even under extreme partial lighting, the illuminated facial landmarks must remain unmistakably this same person.

COMPOSITION AND POSE
Vertical portrait frame, editorial medium-format composition, chest-up crop. He is seated but the chair is completely outside the frame. His torso is turned about 45 degrees in a calm three-quarter pose. Upright relaxed posture, shoulders lowered, hands outside the frame. He is meditating: eyes fully closed, face calm and released, jaw relaxed, lips gently closed, no smile, no tension. Head slightly bowed, not dramatically tilted. Clean studio, no props.

WARDROBE
An oversized iridescent silver crew-neck T-shirt with a refined fashion-editorial silhouette, dropped shoulders, soft structured drape, and no logo. The fabric is metallic and subtly color-shifting, but because of the exposure it reads almost entirely as a dense black mass. Its reflective quality appears only along the narrow lit edge as restrained silver-to-terracotta sheen. No rainbow, holographic, blue, green, purple, or additional colors.

LIGHTING
Use exactly one hard, highly controlled directional studio strobe from one side and slightly behind the subject, shaped through a very narrow vertical strip softbox with grids and black flags. No other light source.
The body and most of the face fall into deep crushed pure black (#000000), with no recoverable shadow detail. No fill light, bounce light, ambient lift, frontal key, catchlight, or reflected studio light.
The single light catches only a narrow sculptural rim and a few precise planes: the jawline, one cheekbone, the bridge and edge of the nose, the rim of one ear, the edge of the neck, one shoulder, and a small section of collarbone. Part of the face is legible and identity is preserved; the rest disappears completely into black. Expose strictly for the highlights. Sharp focus follows the illuminated edge.

BACKGROUND
A flat painted studio wall in warm greyish pink #AEA3A4, lighter than the figure, with a very subtle smooth tonal gradient created only by controlled spill from the same single light. Background sharp and in focus, no texture, no seams, no blur, no vignette. The silhouette must remain clean and high-contrast.

COLOR PALETTE — USE ONLY THESE COLORS
- pure black #000000 for the figure and crushed shadows;
- dark warm brown #1E100E for the narrow shadow-to-light transitions;
- warm greyish pink #AEA3A4 for the background;
- terracotta #EC7450 for the thin rim light and faint warm cast on the exposed skin and metallic fabric.
No other colors. No neutral blue or cool cyan in the silver shirt.

CAMERA AND IMAGE CHARACTER
Shot as analog Hasselblad medium-format portrait photography with an 80 mm f/2.8 lens, but rendered as a pristine high-resolution professional scan with no visible grain. Matte natural skin with pores, fine lines, individual stubble hairs, and no gloss or plastic retouching. Controlled highlight roll-off, dense tonal separation, and precise studio craftsmanship. No blur, bloom, haze, chromatic aberration, lens distortion, digital noise, or artificial sharpening.

OUTPUT CONSTRAINTS
Exactly one person and one vertical portrait. No contact sheet, split screen, alternate pose, hands, chair, props, jewelry, text, frames, borders, labels, logos, watermark, extra light sources, visible light equipment, floor, background objects, or environmental context.

Edit Image 1 while preserving its exact subject identity, vertical composition, crop, seated three-quarter meditation pose, closed eyes, calm expression, head position, oversized metallic T-shirt, background color, palette, camera character, and all facial features. Image 2 is the authoritative identity reference; do not change the person's face.

CHANGE ONLY THE LIGHTING WIDTH AND SHADOW DENSITY:
- Make the single side-and-rear strip light much narrower and more tightly flagged.
- Remove the broad illumination currently covering the front planes of the face, neck, chest, and shirt.
- Let approximately 70–80% of the visible face and at least 90% of the torso and shirt fall into dense crushed pure black #000000 with no recoverable texture.
- Keep the face barely but unmistakably legible only through a very narrow terracotta #EC7450 edge and a few slim highlight fragments on one cheekbone, the bridge and edge of the nose, jawline, rim of the ear, neck edge, shoulder edge, and a small collarbone segment.
- The silver oversized shirt must read as one nearly black sculptural mass; reveal its metallic surface only in a razor-thin silver-to-terracotta rim along the outer shoulder and sleeve. Do not show broad shiny fabric texture.
- Preserve the warm greyish pink #AEA3A4 background and its subtle smooth gradient exactly.
- No fill, bounce, ambient lift, frontal key, second light, or catchlight. Expose strictly for the narrow highlights.
- Preserve matte natural skin texture only on the tiny illuminated regions.
- No new colors, props, text, grain, blur, or compositional changes.

The final image should feel more graphic, minimal, and severe than Image 1: a calm recognizable face and oversized silhouette emerging from near-total black through one precise warm rim.